The Prisoner of Beauty: Ep 2 On Beauty, part 1

I often grouse at the epic length of cdramas thus, to be fair, I should praise this episode for allowing the slow-but-thorough exploration of the meaning of the title. It’s because this show has 36 episodes in all that it can go on deep dive on the female lead’s beauty.

Her beauty is actually introduced in Episode 1. The hero Wei Shao (WS) is dead set on killing her – sight unseen – but his trusted advisor stays his wrath by pointing out that she imports the vital region of Panyi as her dowry. As an extra inducement, his advisor mentions Qiao Man’s touted beauty. He repeats the word on the street, “‘The waters [of Panyi] are too beautiful thanks to the pretty duo.’ The ‘pretty duo’ refers to Qiao’s two girls.”

This must have piqued WS’ curiosity because he grants Qiao Man’s entry inside the city walls.

Lol. If you know Greek mythology, then this scene should remind you of the Trojan horse.

For those who don’t know this —

Once upon a time, the Greeks were laying a siege on the well-fortified city of Troy. After ten long years, the battle seemed interminable, so the wily Greeks came up with a ruse. They constructed a colossal wooden horse, left it at the city gates, and sailed away. The Trojans thought that the enemy had simply given up the fight and (magnanimously) left them a peace-offering, so they wheeled the horse into the city, gullibly rejoicing at their victory. That night, a trapdoor opened in this great wooden horse and out came the hidden Greek soldiers from the underbelly. They opened the city gates to the rest of their army and captured the city. Troy fell all because of a wooden horse.

From then on, the “Trojan horse” means a subterfuge; it’s a trick to get one’s defenses down so an attack can be made from inside a supposedly well-guarded stronghold. Also, from this legend comes the expression, “Beware of Greeks bearing gifts.” Of course, our Cleopatra is exempted. Lol.

Now do you see how the QM is exactly a Trojan horse? She hails from the enemy camp. She’s hidden inside her wooden carriage. Her Panyi dowry is meant to be a peace offering. Her much-vaunted beauty arouses curiosity. She waits at the gate of Yujan,

But, like the Greeks, she means business. She’s no innocent and helpless damsel. Her astute, ailing grandfather understands that she’s their best strategist and the only hope for the Yan kingdom’s survival. That’s why he lets her go inside enemy territory by herself.

To me, then, WS isn’t wrong to act on his basic instinct to shoot to kill. The massacre of the men in his family, plus his experience on the battlefield, must have taught him to be wary of a Yan bearing gift. But the mere promise of beauty — both Panyi’s and ManMan’s — has already captivated him.

Hence, the title of the show. “Prisoner of Beauty.”

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To be continued. I have a meeting to mentally prep for.

6 Comments On “The Prisoner of Beauty: Ep 2 On Beauty, part 1”

  1. Hello, @Packmule3 and BoD community! I’ve been away from this forum a long time. I have watched Asian dramas in the interim, but have been busy with other things. I felt I didn’t have time or energy to assemble my thoughts to comment on what I was watching.

    In May I took a break from TV dramas to attend the Seattle International Film Festival. I saw 25 films in 10 days! I meant to see more, but toward the end of the in-person festival I lost momentum, and decided I’d rather go back to my beloved Asian dramas than stream films during the festival’s week of virtual offerings.

    One of the shows that made me yearn to return to Asian dramas was The Prisoner of Beauty: reviews piqued my interest. I can say now, having seen all available episodes of TPoB, that I’m pleased I followed my heart. Some of the films I’d seen during SIFF did not meet my expectations (some others I thought excellent).

    @Packmule3, the moral landscape of TPoB is mapped clearly in the script. I jokingly think of TPoB as a self-help book in drama form. Want to know a healthy way to respond when someone disappoints you? Watch the female lead. Want positive examples of conflict management? Watch the female lead. What is an effective apology? Examples abound.

    Also in line with a morality play, we have characters that give us object lessons. Act selfishly, lie, cheat, etc. and hurt others in the process? Characters that do, pay a steep price. This show does not play with moral ambiguity: right and wrong are clear cut. When the antagonists plot and manipulate, contemptuous of others, I don’t feel too stressed because I know they won’t prevail. The triumph of good over evil is too firmly embedded in the storyline.

    This show avoids preachiness by having life lessons presented in the natural flow of dialogue between the characters involved in various situations.

  2. One of the antagonists in TPoB demonstrates the peril of misappropriated beauty. Lady Yu Lou, of the Su Clan, raised in the Wei Clan, and married to the Lord of Bianzhou, capitalizes on her face and figure, but especially on the fortuitous huadian on her forehead. The lotus “birthmark” allegedly proclaims her as the future Empress of the Great Plains, but both the mark and the prophecy are fake. She claims disadvantage and self-preservation as justification for her lies and machinations, but that reasoning doesn’t fit into the show’s moral template. For those with discernment, her physical beauty is overshadowed by her ugly and self-serving nature. I have no doubt she will ultimately be caught in her own web. (Nonetheless, I imagine that the actress in this role, Xuan Lu, who usually portrays upright characters, is having fun playing an against-type baddie.)

  3. Who is the Prisoner of Beauty?

    Is it Qiao Xiao (Man Man), who marries into an enemy household and resides in enemy territory, far from home and her beloved birth family?

    Is it Wei Shao, who feels forced into a political marriage, only to be captivated by the beauty–outer and inner–of his wife, despite the grudge he holds against her family?

    Is it Lady Yu Lou, who is blessed with physical beauty, but in misrepresenting and commodifying her looks, traps herself in a net of her own making?

    All of the above?

  4. Pingback: The Prisoner of Beauty: Ep 2 On Beauty, part 2 – Bitches Over Dramas

  5. @packmule3
    Heavens to Betsy I have missed your writing! So happy to follow your analytics. Being a bit short in the rational argument area I mentally kow-tow.

    @Welmaris
    Likewise.

    I am reminded that I strongly felt (in the moral landscape/ culture-molding vein) that we were also looking at a rather old-fashioned (but eternally interesting in a practical way) exploration of the importance of care in the building of a stable marriage (old-fashioned because she knows what she is doing and he slowly follows her lead, poor sweet dummy).

    I liked the way that the building of a marriage is layered on top of the building of an alliance, and the same virtues were needed for both.

  6. @Ibisfeather Your last comment is what Fascinate
    S me about this plot- How both the marital relationship and the politics mirror each other in their dynamics.

    The other fascinating part of this plot is how many instances reflect on current day world politics.

    @welmaris Your comment made me wonder how the other marital relationships reflect The dynamics of the politics in this drama.

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