I guess if water was the chief symbol in “The Prisoner of Beauty” then the moon is the recurring symbol in “Legend of the Female General.”
It first appeared in Episode 1 when XJ rescued her from accidentally falling into the pond. He assumed that she was about to kill herself and admonished her not to disrespect life so casually and her parents’ nurturing grace with suicide. She scoffed, telling him that her parents refused to let her speak and even abandoned her in the temple because she was blind. He persisted in defending life over suicide. Death might appear to be an easier option than living because of her desperate circumstance, but she could still achieve greatness in her blindness.
Sidenote: This should tell us his mindset and explain why he offered to build an army and retake Que after he had been flogged by the emperor. In his desperation, it would have been an easy way out for him to die or hide in shame, but he chose to rebuild his army and reclaim his family honor.
He then offered her osmanthus candy. (This is another recurring symbol.) He clearly told her that it was inedible but to his surprise, she ate it to test if it still retained a taste of sweetness like he said. Hmmm…why give it to her when she can’t eat it in the first place? Did he mean it to be a keepsake, a talisman or something?
After that she asked about the moon.
HY: Is the moon beautiful tonight?
XJ: Bright moon like frost. Gentle breeze like water. The serene beauty is endless.
The moon was obscured by the clouds, so he lied when he said that the moon was bright. Look: I’m not a meteorologist but when there’s frost in the air, the sky is clear. A full moon on a frosty winter night will appear very luminous.
She smiled at his poetic description of the night. His words did the trick; he comforted her.
To me, this scene is important because it establishes in our subconscious that XJ is like that moon. HY obviously can’t see him (i.e., he’s obscured by the clouds) given her blindness, but he’s there right beside her, hovering about her, watching over her.
The second time the moon came up was on the festival of paper lanterns. They lit the lanterns and send them off in the waters. Then, they gazed at the moon.
HY: Under the bright moon, I long for my kin. I wonder if the deceased shares this moonlight with us the living.
XJ: (firmly) Yes, they do.
This is a reminder that two of them have shared griefs and grievances that they can’t yet voice out loud. It’s enough for them to stand beside each other, in companionable silence, like the moon in the night sky.
Now, the third time (IIRC), the moon next showed up in Episode 11 when XJ barricaded himself inside his side of his bedchamber when he started sharing his space with HY. She spoke outside his door.
An aside: she reminded me of Anna in “Frozen” coaxing Elsa to come out of her room and make a snowman with her.
She reassured him that despite his distrust of her, she would always stand by his side and defend him. She’d wait until he began to trust her on his own accord. And unconsciously, she repeated the words his father, General Xiao, had told them – that the two of them would become twin stars of the Wei kingdom, and with their joint forces, they would protect the land and its people.
She then noticed the moon.
HY: Commander, the moon tonight is breathtaking. Care to admire it with me?
He stood up to open the door for her but changed his mind. Instead, he just leaned against the door, just like she was leaning against on the other side. They looked like bookends.
To me, this scene indicates that he still has his barriers up. He can’t consider opening up to her or even admitting to himself that he likes her.
The fourth time the moon arose was when he was about to leave on a rescue mission to Litao Town. He decided to bring his experienced batallion with him and leave her behind so she could recover from her injury.
He heard noise in her bedroom and when he walked in, he saw her struggling to put ointment on her back. So, he sat down and did it for her.
Afterwards, she offered him a gift of osmanthus candies for him to eat on his way. (Lol. This tells me that she overheard Feinu’s military report on Litao Town.) He accepted it without saying a word.
But then, as he was about to walk out of her room, he stopped and mentioned the moon.
XJ: The moon that night was beautiful.
Now, his words may not sound much to most viewers, but for me, this signifies that:
a. he’s finally opening up to her. It’s a tacit admission that he did gaze at the moon alongside her, although they weren’t physically standing by the same window.
b. he’s leaving on a mission without her, but he was leaving her with something to think about while he was away. In essence, it’s like a short love letter one leaves behind to be discovered later. But instead of a jotting it down, XJ spoke it aloud. He was telling her, “Do take care of yourself while I’m gone, and wait for my return.”
I’ll continue watching for the moon in the upcoming episodes and update this.
@Packmule,
Thank you for drawing our attention to and highlighting so beautifully the way the Moon is used, with its own special narrative, in this story.
I too got metaphorical goosebumps when XJ made the retrospective comment about the moon. As for you, it felt like a big shift in the way he wants to relate to her. A type of confession!
This backdrop also gives more weight still to the FL’s (Episode 17) whispered, slightly giddy confession that she is love with the moon but the moon doesn’t know it. Here, the moon is the personification of the ML. It is a climactic moment because she has captured and expressed what has been going on between them – hitherto not admitted. She captures what what you have been describing above in your account of the phases of the Moon @Packmule.
Lovely.
Kalimera @Packmule3!
You should see later on (on Episode 17) another amazing reference. It was the most beautiful truth ever… ❤️
Apologies @Packmule,
In my enthusiasm, I have repeat spoiled Ep 17! I notice that @Cleo didn’t.
I was just very struck by the Moon imagery and the way it related to the characters and their love story.
@Packmule,
I am curious about when the Moon narrative struck you.
Did you notice the repeat occurrences and then go back, re-watch and do the analysis, or were you noticing this as you went along?
This is a broader question about the way you think about shows as you watch them.
NO rush on this one. Just methodologically interested.
@Kate and @Cleopatra, when HY is dancing around XJ at the festival and divulging ten of her secrets, as mandated by the masks they donned, HY heightens the importance of her 10th secret by speaking it last, and as a whisper in XJ’s ear (for his hearing only: a secret shared just between the two of them).
By the time they dance (or, more correctly, she dances and he stands), HY has figured out that it was XJ that saved her from falling into water (and presumedly drowning). I imagine she recalls the times they’ve shared moonlit nights, and the importance of those moonlit nights on the development of their connection. She also must recall all the times they’ve openly asked each other about the nature of their feelings, only to shy away from the truthful answer. HY’s understanding of her feelings have evolved, from respect for a peer, pity for someone wronged, concern about her commander’s safety, and admiration for a trustworthy comrade, to an emotion deeply personal. XJ has moved into a place in her life and heart that cannot be filled by anyone else. The secret whispered into XJ’s ear lets him know she’s gained clarity about her feelings.
Spoiler, Episode 18.
HY explains her feelings for XJ. HY’s master, Liu Bu Wang, asks HY if she likes General Fengyun. HY responds, after a moment to carefully compose her thoughts, “Between us, there’s indeed some history. But my own path is not yet clear. I suppose nothing will come of it.” She sounds wistfully resigned. It is clear that her path is more important to her than romance.
HY’s master offers to to a divination to look into the future of HY’s relationship with XJ. His reading is “The hexagram is Kan. It represents water. From peril to greater peril. Trapped between dangers with no escape in sight.” HY asks, “Does this mean being with him would bring certain disaster?” Her master answers, “Remember what I said earlier? It signifies danger but water is adaptable. Navigate through hazards and find passage in peril. Human conquers fate. Don’t bow to destiny.” (After this declaration, it is telling he sits at his zither and plays a piece significant to him and another character in the story. In view of his words of wisdom, will we come to see the master as an example or a cautionary tale?)
@Packmule3, Episode 17 ends with HY and XJ under the moonlight again. They leave the festival’s hustle and bustle in city, going out on the lake, just the two of them, in a sampan. As they gently float, they relax and have a conversation. HY is focused on the fireflies, at first, but XJ has his eyes on the moon; to enjoy full view of it, he stretches out in the sampan. After exchanging a few words, HY settles down next to XJ. Laying sided by side, they continue their conversation. The setting looks like pillow talk!
Since I believe.it important to document this conversation, here it is.
HY: Commander. Why are you being so kind to me today?
XJ: Isn’t today your birthday?
HY: How did you know?
XJ: You are not a good liar. Sometimes, your lies are flawed.
HY: Sometimes you speak truths or tells lies. It’s hard to tell. Frankly, were the same sort. [HY lays next to XJ. They enjoy a few moments of silence with the bright, full moon overhead.]
XJ: On your birthday, don’t you make a wish? Go ahead. Finish your birthday.
HY: I have no wishes. Making a wish is just self-deception. Whatever I desire, I’ll get it myself.
XJ: That’s it? I thought you would wish for promotions and honors or military achievements.
HY: Commander. Haven’t you noticed that since we met, I’ve always pretended to be someone else? For example, Cheng Lisu and Wen Yuyan.Who knows who I’ll pretend to be next?
XJ: Do you feel wronged?
HY: Not exactly. But I’m afraid after pretending to be someone else for too long, I might forget who I really am. I hope there’s someone in this world who comes for me. [We hear HY’s thoughts in voiceover: “Not for He Rufei. Not for General Feihong. Just for me. Coming for me.”] Commander. You must remember my name. I am…
XJ: He Yan. I’ll remember.
Discussion of this conversation to follow. I want to post now, because I’m typing on my phone and don’t want to risk accidentally deleting it all.
In Episode 19 I’m reminded of another “date” under the moon, but one that didn’t happen. In an earlier episode HY, when she was intoxicated after drinking with Chu Zhao, said she wanted to go with him to admire the moon over Mount Baiyue. XJ was noticably displeased to hear her suggest the outing with Chu Zhao. He insisted HY instead go sober up. XJ was equally relieved when Chu Zhao suddenly departed Yezhou Garrison and stood up HY for the rescheduled moon viewing. He did, however, show empathy for HY when he thought she was sad about the cancellation. In truth, HY was sad because she was thinking about her mother’s birthday.
@Welmaris, you have reminded me of how beautifully choreographed that revelation is as HY dances around the intently listening XJ.
Lovely account of her process too.
For some reason I have been reminded here of the masked ball in Baz Luhrman’s Romeo and Juliet. I am not a fan of the film but I love that first encounter with Romeo and Juliet, in costume, staring at one another through the aquarium glass. I’m reminded of it probably because of the masks (!) and the youthful energy that the FL brings to that opportunity, her playfulness and taking full advantage of the new perspectives that a masked dance affords them both.
Isn’t it ironic too that she is most honest when masked.
Oh yes… and use of imagery to communicate with the love interest. I was reminded of some of the quizzing (correct word?) dialogue you get in Shakespeare’s dramas where lovers cleverly probe for answers …