Now that “To My Beloved Thief” has happily ended last weekend, I can’t wait for the next drama to give my single-minded focus. I’m raring to go.
Unfortunately, however, there isn’t many to choose from. Yu Yoon Seok has “Phantom Lawyer” with Esom but as you know, I don’t watch legal dramas. I may have to stick with “Undercover Miss Hong” or give “Our Universe” a second whirl.
1. Siren’s Kiss
This is heavily promoted by Park Min Young (“Marry My Husband,” “What’s Wrong with Secretary Kim,” etc.) so I should take a look at least.
The male lead is an investigator and he suspects her of being a “black widow,” or woman who kills her lovers for financial gain. I guess, since she’s an art auctioneer, he thinks she dated her exes in order to acquire their art collection then kills them afterward. The term “black widow” is derived from a venomous spider of which the female species is known to a) have a hourglass mark (sexy!) on its underbelly, and b) kill and eat the male after mating.
Cast: PMY and Wi Ha Joon (“Squid Game,” “Little Women” and “The Midnight Romance in Hagwon”)
Episodes: 12
Start Date: Monday, March 2
Airs on Mondays and Tuesdays
Where to Watch it: Amazon Prime, not Viki???
Network: tVN
2. Still Shining
Lol. The central plot is on the posters. “I met you again, the one I could never forget.” “Can we be together?”
I’m watching this for Park Jin Young because I dropped his “The Witch” after the 2nd episode.
Cast: Park Jin Young and Kim MinJu
Episodes: 10
Start Date: Friday, March 6
Where to Watch it: Netflix
Network: jTBC (ugh. I often avoid dramas produced by jTBC – or as I call it “Just To Be Controversial – because they hook you in with an artsy beginning but bungle the third act. This doesn’t bode well for this drama.)
“The Third Charm” (2018) – remember that ending?
“The Atypical Family” (2024)
“Run On” (2020)
“Nevertheless” (2021) – ugh! Red flag guy
“Snowdrop” (2021)
“Sisiphus” (2021) – I’ll never get my time back
“Mirror of the Witch” (2016) – much ado about nothing
3. Boyfriend on Demand
The premise is wacky, but I’ll check this kdrama out because of the virtual boyfriends.
The female lead is a burned-out webtoon producer who signs up for a monthly subscription of virtual dating service. She gets a different boyfriend each month. Lol.
The male lead is played by Seo InGuk, her co-worker. No doubt, he has a tsundere role here.
Cast: Jisoo (she’s a singer in a girl group or something) and Seo Inguk
Episodes: 10
Start Date: Friday, March 6
I think all episodes will drop at once.
Where to Watch it: Netflix
Network: Netflix
I’m watching this for the cameo appearances of Lee Soo Hyuk, Seo Kang Jun, Lee Jae Wook and Kim Young Dae as her virtual boyfriends.
I don’t have any cdrama in the offing. If you have any cdrama rec, please give it a shout out.
As for dorama (or jdrama), I have my eyes on:
Ameku Takao’s Detective Karte
A rom-com about a female Dr. Gregory House. She’s a genius diagnostician with zero knowledge on how to interact with people.
Episodes: 9
Released in 2025, all episodes out
Where to Watch it: Viki
I am excited about Still Shining, for among other things, a look at a promising young actress, Kim Min Ju, who played the daughter of the crazy headmistress in Undercover High School.
I will at least take a look at The Practical Guide To Love coming this saturday on Viki — The third member of the love triangle is a 31 year old actor named Lee Ki Taek who seems interesting, the Fl is Han Ji Min who must choose between stability and passion.
Cdramas sometimes seem to drop suddenly from the skies without warning…the ones coming up dont attract me, many on Viki now are short-form…..and kind of icky.
Thanks for reminding me about “The Practical Guide to Love.” Maybe we can talk about it here.
I don’t get the point of these “short-form” cdramas. I told you about that suicide-as-ultimate-revenge cdrama last month. I had to undo the the damage it did to my cerebral matters by going on a long walk. As much as I dislike the 40+ episodes of cdramas, the short-form isn’t the answer.
@pkml3 , @IB, I will take a look at The Practical Guide to Love as it has a premise I like. Also it’s just going to start airing tomorrow (for me) so I will not be binge-ing it.
I’m just back from Friday Stations of the Cross and Reconciliation. Feeling edified! Mustn’t rush back into too much time-wasting drama watching. 😇😅😆
You’re welcome, @GB.
I haven’t DONE anything much except for the daily readings/meditations. I’m even exempt from the Friday abstinence now. But yes, confession. I should go more often. The Stations of the Cross depends where I am on Fridays. If I’m staying in a predominantly Catholic city (or where the Catholic presence is at least, visible) then I can join one easily.
@GB and @pkml3
RED CDRAMA Alert!
I looked every day this week to see if that March 6th premiere of Pursuit of jade might possibly issue forth from its iQiyi nest,
And yes it did.
On Netflix next Friday.
Zhang LingHe, hurray. Tian XiWei not so much, but she is a butcher’s daughter who apparently fights battles wielding a cleaver, so she wont be too sugary sweet.
Hopefully.
He is a fallen noble.
Happily waiting.
Re Pursuit of Jade, the scriptwriter is Yue Zhou (or is it Zhou Yue?) –Coroner’s Diary, The Rise of Phoenixes, Love Like the Galaxy amongst others.
Hi @IB about “Pursuit of Jade”… the Writer is Zou Yue.
While this show also has one of my fave premises (marriage first, fall in love later) I do not ‘dare’ to start watching because I’ve got too much to do. Dramas just suck away most of my attention and brain power LOL.
I’ll be ‘a good gal’ with just the Rewatch Shows and maybe the Practical Guide show.
@GB
Okey-doke.
Then I will give a just few impressions after the first six eps, if no one minds. I dont usually remark on dramas early in the show..
OK @IB. I don’t mind spoilers so post whatever or if you prefer to not post spoilers here, then message me on MDL and post there.
BTW Please see R:WotS Ep 16 thread to start on voting for the show after Imaginary Cat. 🙂
I will watch “boyfriend on demand”, I like a lot main actor.
And about Jisoo, Guys of my kdrama frenchgroup (mostly men) are fans of her, so I can watch and comment with them. I watched already Snowdrop and I’m currently watching Newtopia (horror-comedy) with her. Low-mid rating on MDL but good and funny drama.
She comes from famous girlband “blackpink” but I know nothing about kpop:
I was expecting “pretty girl – bad acting”, but it turned to be “not so pretty – good acting”.
I find her better at acting than Suzy or UI, then her two roles asked lot of crying, fear and emotions, she’s quite natural.
Love Story in the 1970s
I’ve decided to start 1 cdrama, “Love Story in the 1970s”. I hope to take it slow instead of binge-ing it, even though 27 out of its 29 episodes are already out. I like the premise of a couple faking a marriage, only to fall in love later. I know the ending, but the process is what interests me.
The first episode was quite riveting. This isn’t one of those glossy, polished productions; it feels raw and stripped down and looks very realistic. Life is difficult but not entirely depressing. People are hard-pressed but still willing to help each other. The poverty and harsh realities of the era are portrayed vividly and without being romanticised: we feel the weight of the times without being crushed by them.
The characters of Fei Ni and Fang Mu Yang were clearly drawn, in a way, similar to how Mu Yang was able to sketch strangers on the train. Sun Qian and Arthur Chen Fei Yu do a solid job establishing their characters from the outset. Even in a single episode, I felt drawn into their tentative, lightly outlined beginnings.
I didn’t intend to watch this at first, because I did not care for Arthur Chen’s character or acting in ‘Lighter and Princess’. He has either improved or this role simply suits him better. Mu Yang is far more endearing, and Arthur portrays being likable well. As for Sun Qian, I did not remember having seen her before in “Way Back Into Love” Her performance left little impression on me then, but she’s making one here.
I found it cute the Fei Ni was so single-minded about getting a chance to enter college that she appeared to pursue the winning basketball player, but was really in pursuit of his mother, who could recommend her for college. It’s ambitious, calculating, and completely understandable given how she’s thwarted repeatedly in her attempts to get her factory to recommend her.
The ‘meet-cute’ of Fei Ni and Mu Yang as high-schoolers was not cute at all! Their beginning did not seem to auger well since the times they were together were the times that something unfortunate happened to Fei Ni due to Mu Yang. Remembering those times led Fei Ni to almost regret taking on the care of Mu Yang, however her desire to get into college won out. Despite an inauspicious start, they did get on well enough and became friends.
I’ll be rooting for Fei Ni to get into college one day or at least to find out that she’s doing well even without it. I wonder if Mu Yang will be able to survive creatively in those days of the Cultural Revolution. He would have to be careful about what he draws. I liked his sketches and the promise he made to sketch what he sees when he leaves town, so he can one day show his work to Fei Ni.
We very quickly end the first episode with Fei Ni already starting her long haul commitment to care for an unconscious Mu Yang. She did so with hardly an altruistic thought but only a self-serving hope to ‘use’ him so that she’d have a chance at college. It’s not romantic, but it’s compelling, and I’m curious to see how something so pragmatic transforms into love.
How do you like the Practical Guide kdrama so far? Aren’t you watching this with @ibisfeather?
@pkml3, I’ve watched 3 episodes of “Practical Guide” and will continue. It’s different, at the moment quite sweet… I expect more drama later. I like it well enough and am happy (read: ‘more impressed by’ rather than ‘not annoyed by’) with the 2 main actors.
@IB hasn’t been back to comment on it.
I’m pacing myself…. maybe 2 episodes a night. So I’ll be slow to comment. 🙂
Oh,… hang on @pkml3…. I’m getting my dramas mixed up.
Yes, kdrama “Practical Guide to Love” is okay with Han Ji Min…. it’s 2 episodes a week. I watched Ep 1…. do not feel compelled to watch the next one but I’ll do so before Saturday’s episode is out. I’ll watch it to see why the FL chooses the guy that she does and if it’s a wise move.
The drama I was referring to above is “Love Story in the 1970s” that’s a cdrama that I find more compelling. It is different because I have not watched/watched very few shows of that era,… or during the Cultural Revolution. It does not have the high production, glossy vibe and tells the tale slowly through stark scenes that look real.
I’m totally on board with the FL’s character, wondering to what extent she is being calculating and to what extent she’s been taken advantage of. She knows the possibility of the latter, but is prepared to take the risk. I watch to see the results of her gamble.
Well, well, ‘Love Story in the 1970s’ has taken an organic twist. I don’t know whether to laugh or to cry that despite losing his memories of the past, Mu Yang is still super intelligent and now between him and Fei Ni there’s a relationship of bribery and/or threats so that he can get his way (and she too wrt university!). And what Mu Yang seems to want a lot of is different kinds of food! LOL
He forgot everyone but he remembers the restaurants, their location and the pretty high class food that he used to eat.
It might be a bit of a red flag that he’s like this ie using bribes or threats, but at the same time, we see how he looks at Fei Ni, and it’s not likely that he’d ever make good on his threats.
I’ve watched up to Episode 4, and Fei Ni will be disappointed in Ep 5. It’s a good time to pause so that I won’t be too upset for her, although I have to admit that she’s also to blame. 🙂
@pkml3,
re The Practical Guide to Love,
I didnt feel like watching such a slow-paced show this week. (I am watching Rugal, its that kind of week).
I dont like to speak ill or even mildly sadly of shows others may be getting more out of –if I dont come back to comment it usually means I didnt get far.
But if friends like something that didnt thrill me straight off, I keep it in the back of my mind for a second look some sunny day in the future!
Unless you ask I will only show for shows that make me happy.
@IB, I, too found Practical Guide to be not as fetching or dynamic in it’s first episode. I’ve decided to wait until after it has aired 2 more episodes to watch the first 3 of them in 1 fell swoop to see how I feel.
I’d even prefer to rewatch something I know I enjoyed to an extent, if I’m not too sure about a new show that’s not that compelling.
I will need to continue to rewatch Imaginary Cat too, to gear up for our next party!
Oh dear! Love Story in the 1970s has become so entertaining. I find that I’m enjoying it far too much!
I’ve reached Episodes 5-10 and I find myself laughing out loud. I didn’t know I’d be hooting about being tricky and creative to ‘outwit the enemy’.
I like that the love stories are so practical, or rather that the couples are. There are 3 young couples to consider plus Fei Ni’s parents who celebrate their 30th wedding anniversary in 1975, and still hold a torch for each other.
Amidst the dark times, the in-factory politicking, and the dreams that remain elusive, there are still warm and happy times with simple pleasures, solid friendships and heart-warming family support. Fei Ni’s parents add such a bright spark. Her brother was a hoot and such a softie with his sister.
There seems to be only a couple of grey characters causing trouble by blocking Fei Ni’s opportunities, but with the help of Mu Yang, there’s no telling how creative will be the tricks and strategems they may come up with to get what is rightfully theirs. And get it they did!
@GB (hopefully snoozing away)
Pursuit of Jade: after the 1st 15 minutes I know it will be good. Why?
Characters
— the butcher’s daughter/ChangYu/actress Tian XiWei looks sturdy as she throws some pig blood over the awful village crones, who in the way of all great dramas are giving us all the info on her life in the guise of spiteful Gossip. (I did see a little more of TXW last week in ‘Fated Boy’ in a solid comic supporting role too)
— in a sillier way, Zhang LingHe comes to light under some fallen snow/a fallin’ noble, and after he gets dragged home, physicked and washed, ChangYu assures her little (cute!) sister that she didnt just pick him up because he was handsome. Then side by side they both peer down at them and in perfect unison their mouths fall open just a tiny. For, in fact, Xie Zheng/the actor ZL, looks toothsome a little bruised abed.
Themes and visuals
— the credits are interlaced with spreading frost and snow crystals, and lushly packed with interesting images.
— We start with a winter village pig-butchering. Setting off home after being tagged as a lone star of calamity, ChangYu assures her employer that the ‘almanac’ says today is her lucky day. On the road home the ML is found wounded in the snow but the blood doesnt bother the butcher’s girl. She does, however, nearly kill him by unwisely using medecine.
I am planning to have a very good time.
Boyfriend on demand seems to be a satire, so far. And quite funny. Skewering kdrama/webtoon romance plot cliches. Lee Soo Hyun was ridiculously funny as the webtoon Mr.Right. Cant wait to see the next cameo.
Still Shining is quite lovely; the months are detailed and the seasons are given their due. Makes up for the k-trauma, which will turn into healing? Still, one follows along wondering how the ML, a top student who gets into the Hanguk U mechanical engineering program, will end up as a train conductor (oh please let it be the Sea Train, I wish I could ride it!).
And SS is righteous that the FL, a woman from a troubled and unusual household, is encouraged by her Dad to try out her career choices and see life as a journey. Very Un-Korean all-the=eggs-in-one-basket career where failure is unthinkable.
..righteous in that..
Re Pursuit of Jade eps6-7; great heroic fantasy.
Beautiful, fierce funny and sweet, just like its heroine, Fan ChangYu, the butcher’s daughter.
Watch ChangYu tame street thugs to her will!
Watch her love, the General and General’s son, Xie Zheng nearly die over and over again defending ChangYu and her little sister ChangNing against death assassins chasing him down!
Re Pursuit of Jade
eps8-9
Virtues of the show so far:
— the FL character avoids all the more annoying recent tropes, no bubbly-girl, no trauma queen — She is sincere, honest, direct, surviving a ‘bitter fate’ with elan and eclat. TXW now has my heart for the best woebegone eyes in the business. So pretty.
— the ML starts off really terribly wounded. The show doesnt have him suddenly burst into action without physical consequences. Gaunt, ill, often without/w/minimal eye make-up, ZLH is terribly attractive. He might have been the king of tsundere MLs but when being bandaged and unbandaged day in and out it is hard to be haughty and distant. So far, as a lame, often mocked, live-in husband, ZLH holds onto his precarious dignity beautifully.
In this show the distinction between fighters, scholars and working people as types is much clearer than usual. ZLH is in hiding and conceals his education, but his nature is similiar to the FL’s. They are both people of action, military types; he is a reknowned general and she is the skilled daughter of a skilled fighter who hid his family away in a little village for reasons unknown. They fall in love by looks and gazes; they do not pretend otherwise and they do not discuss their feelings in endless misunderstandings. It is wonderful cinema.
The candied tangerine kiss from ep.9 will go down in history. Firstly because it is a small tentative wonder and secondly because the lovers are then interrupted by yet another horde of black-clad assassins.
As one or more commentator has said, the blood looks real, the fighting is natural and brilliantly choreographed, the story is a standard heroic fantasy made fresh again by intelligent charming, humorous writing, really sharply defined acting and inspired camerawork.
The best thing may be that it is a slow-burn show in more than one sense. Not too many new characters all at once. The politics while interwoven with the village action is only now beginning to pick up steam. And it is one of my favorite plots too — marriage first, love later. To do this properly in a hero-story, both persons needs must be sincere and have innate dignity (no squirming around, please). And they do.
After 3 days PoJ is already becoming a hit show. Lots of complaints by people who prefer bingeing that they got hooked and cannot wriggle out of watching day by day.
Hi @IB, thanks for your ‘report’ on Pursuit of Jade. If I wasn’t so busy, I’d join you in this but perhaps I’d prefer to binge it when I’m freer in a couple more weeks or so.
With regards to Practical Guide to Love it becomes better from Ep 2 onwards. After much mis-matching in a storm of blind dates, our FL finds herself confronted by 2 very different sorts of guys, and not through her own volition. Drama will call it fate, because repeated meetings were partially accidental or coincidental, however it was because it was through friends that she met the guys so the social circle was smaller, and also because they began to orbit around her that we have our dynamic love triangle. I guess the game is guessing who she’ll end up with and placing bets. I know whom I’d prefer. Heheheh. (An aside: I like seeing actor Kim Won Hae again here in a nice manager role)
As for Love Story in the 1970s, I like the different vibe, the ‘old-fashioned’ style of ‘romance’ and the true-to-life frugal living of the hard-working poor who counted every cent. I enjoy watching how on the one hand our OTP are so innocent in the ‘facts of married life and intimacy’ and yet so cunning in how to survive the social and economic milieu. In order to get on, our ‘good guys’ often have to tread the path of deception, but we forgive them because they are not out to hurt anyone, and because they were unfairly blocked when they tried the honest way.
This is a nice break from the usual modern drama romances. This could be the Practical Guide to Love of the 1970s China actually. Instead of the usual dating scenes, we have the most pragmatic approach to marriage. Being in love is a luxury and counts for less than whether the man can support the family, can offer a place to live in and even better, offer good connections. Marriage first for practical reasons made a lot of sense. Love could come later.
We get 1 new couple with a one-sided attraction, 1 couple who are not sure if they can love each other, 1 who are supposed to just be comrades, 1 who definitely love each other and struggle to be allowed to be together and 1 older established couple who support the young ones. Their stories are so simple in one way and yet complicated by the demands and restrictions of their society and the machinations of the resentful. Somehow the show manages to be interesting and funny with a dose of warmth.
short note re Pursuit Of Jade, eps 10-17 and beyond
The village arc is about to wrap up, having received lots of love from viewers. Especially the puppet pig and falcon. And the cute children.
Now we face the future of the rest of the novel with trepidation. There will be internecine politics and lots of battles.
I present, for @pcml3’s delectation, a poem.
The Seven-Step Poem
Pods burned to cook peas,
Peas weep in the pot,
Both born from the same root,
Why torment each other?
Presented as an emergency measure if all else failed,taught by the ML to the FL, in desperation at her lack of focus on memorizing his excellent legal arguments for her court case; the case involved her uncle’s attempt to seize her deceased parents’ house in order to pay gambling debts. He says it is about a lifelong struggle between two brothers.
“Uh-Oh”, in the immortal words of an American teen trapped in a grown Korean man’s body, uttered by Gong Yoo in Big.
@IB, in the end I still binged and completed “Love Story in the 1970s” which I enjoyed and found sweet, although the ending was a bit abrupt… however we know how those characters will continue so it was okay. I’d recommend that show for the intrepid spirit, and the “can do, and will do better” attitude with a winning set of characters. I like that everyone (even the small side characters) had a trajectory and it was organic rather than melodramatic.
Since I was at a loose end, I started on Pursuit of Jade. I’ve had a great time with the first 5 episodes. 🙂
And so the common thing in both these dramas is the “marry first for practical reasons and fall in love later” premise. In good character couples it will work out well…. not so much for bad guy/gals. One of the satisfying tropes is of course that there is poetic justice.
I’m seeing that the trend now for cdramas (and maybe even other country dramas) is that the women take the lead in a lot of life. It seems ‘normal’ now in dramas for the men to take a backseat, to be the ones to take direction from the wives/girlfriends and for the women to be stronger – even physically, than men.
I am amused by the thought that ML was hauled back home by the FL the way a pig would be, to the slaughter LOL but instead of having him knocked out before being butchered, he was almost butchered first and had to be revived and helped to recover.
Like you @IB, I have noticed the opening credits of both “Love Story in the 1970s” and “Pursuit of Jade”. They are evocative and informative. In “Love Story” I liked how they were line drawings which harkened to the ML’s art that was so full of life. In PoJ, it’s obvious from the opening credits and the change in the silver hair pin, that after some halcyon days in the Winter countryside, we will face the heat of battle.
😁🏹🤺🤼🪓🔪🧹📜🐷🥩🥓😋😆😎
@IB, Just thought I’d mention that in the Opening Credits, one stroke of the Chinese characters for Pursuing Jade are written to look like a Pig. So cute!
There is of course a play on words or an ironic homophone in the title.
逐玉 (zhú yù) does mean “Pursuing Jade”, where jade is something precious/pure… however “zhū” also means ‘pig’
猪玉 (zhū yù) can mean “Pig and Jade.” There is contrast and irony in the concept of “A pig chasing jade.” The pig is often a symbol of the crude, unrefined or ordinary.
And so the title means both pursuing something precious and that our unrefined FL (the pig!) is pursuing someone beautiful/handsome and precious.
I watched Love in the 1970s and recommend. I don’t recall watching a drama set in that time period and found it interesting. now I’m watching pursuit of jade. I’m hoping to find a kdrama but nothing has caught my eye. My only complaint about pursuit of jade is that I have to watch on Netflix and their subtitles feel lacking. I’ve seen good things about In your radiant season but I haven’t found where I can watch in the US.
@GB, my memory of episodes is not very good after a few days, maybe you could help me?
In which episode do we first see General He planning a campaign in the map room at the Lin’an yamen? I am rerunning the shows from the beginning but it is tedious.
I am puttering around trying to understand physical locations for the military campaigns and I remember a discussion of 4 northwestern prefectures — Yanzhou, a garrison province, Jizhou, and 2 others. Plus maybe some talk about the 16 prefectures.
@IB, I am not at that point in the series yet. I’m still at Ep 7-9 or thereabouts. I’ll see if I can make notes on the military campaigns.
@GB, , I found the scenes in eps 9, 12 and 14. I was wrong, they were set in Jizhou prefecture office, not Linan.
Also “the capital and 17 prefectures”, so not the Lost Sixteen. But the idea turned out to shed light on the imaginary geography.
Dayin is an imaginary country, so the political plot is not historical. Its cities do generally belong to the sixteen prefectures era and area– the cities at the west and south of the Bohai Sea, at a time when that area was the northern border of China, not the capital, as it is now, Beijing and environs.
It turns out the imaginary geography is probably tied to the real through the fictions of a game, Where Winds Meet. A battle game set in the forests and mountains of the 16 prefectures area.
The Sixteen were lost in the godawful mess of the Later Tang and although the Song, the Liao and the Jin fought over them for 300 years, they were never returned until the Yuan swept in. There are, I think, echoes of that time in POJ, melancholy reflections.
Those ancient forests and mountains do have a kind of useful Water Margins aura for a show that has a wuxia heart. The Northern Mount Heng (HengShan) of the Five Great Mountains is as good a place as any to park our imagination. Apparently its a good place for a nice day-hike.
Re POJ
the turn, eps 16 to 21
In a heroic-fantasy novel, the initial section of the hero/ine hidden in a humble situation frequently turns into a journey/quest because of a disaster which uproots the ML/FL (and their sidekicks if any so far) from the idyll of youth, whether that idyll was pleasant or unpleasant in itself.
In modern fantasy cinema, current tradition build on that turn, given that, usefully, webnovels provide floods of material and a pre-ready audience. So at the turn, what are “the uses of fairytale”?
In POJ, the little microcosm of village life explodes along seams previously inlaid. And as we spiral out from that point in time we realize that even that ‘fairytale’ was shaped by real world calamity. Why so many women in the village? — because men have been taken away by the war. Both the kindness of the Zhaos and the spite of Ms.Kang spring from the same root. The cinematography of this section continues its excellence.
Likewise the standard tale of greed for power in the capital, in the lack of a stronger ‘hand at the helm’. Out at the edges on the northwest border, the lack of honest administrators suddenly allows for an irruption of fairytale evil. The two sons of the rebel Prince ChanxMin, the younger, a son by blood, the older, a cousin adopted in. They both have perverted emotional natures, deformed by their lives.
The abscess of imperial families boils into view, power struggles in which family members are ruthlessly used and damaged in the process. It is terrifying to watch Ning and Bao-er fall into their clutches. A gloomily gorgeous Sui family mansion set in a deep gorge is the scene. A hint of waterworks to come ala Prisoner of Beauty.
The fairytale village is marked by war. The fairytale villains have stories to tell about cruelty to family members. The fairytale structure is a way to immediately connect to viewers but what is done with that structure makes all the difference. As we now are going all ‘Game Of Thrones’ on shadowy corrupt imperial families, hopefully some balance will be kept when we swing forward into the next turn.
How to run a war.
Our usefully divorced couple now can handle the job at two levels of operation: our heroine FL, with her husband’s missing martial arts Master and her own little band of bodyguards from the village will lead from below, while our heroic, gloomy, cranky but tender ML will lead from above — or from the side? since he is so ‘I will go my own way, harumph’.
And after that? How to run a country and get married again to your wife.
My wishes:
more time at the Academy,
more martial monks,
the safety of all surviving children,
the happiness of Gongsun and his Princess,
and of course, that the falcon finds ChangNing, the source of his favorite rabbit meat, absolutely forthwith.
@pcml3
Re POJ 21 going forward..
I havent begged you to watch POJ because it is not Austen-y; the action is all in visuals and movement. The ML is not a big talker, and the FL is a free soul without much education.
Also I imagine that like @GB you may give it a whirl in April when POJ will have finished airing. (The whole thing is amazing and the side characters bring in the literacy angle prettily)
However, I didnt really expect that the war section would be such a swooping rom-com arc — ridiculous coincidences, butterflies, sneezes, imperials running rampant in the woods, think of any fun cliche, the director happily tossed it up in the air together, and THEN SOME.
Today, Ep24: Candied tangerine peels and shadow puppetry will never be the same; the shadows of the lovers fall under a double full moon? (or two alternating klieg lights) in the middle of a Henry-the-V walk through the military camp at night.
I think you would like this section very much, although you might not be able to get through some truly evil villains just before….
@IB, thanks for the review and heads-up. I’m at Ep 11 and will pause a while since I’ve got some things to do. It’s been great! I look forward to the 2nd half of the series!!
I went ahead and read the English translation for the novel. So far, I prefer the drama and the changes the screenwriters made. The novel felt much heavier and more violent with the ML being much colder. I’m glad to know the true identities of her parents and how it all ends, but today’s episode with the princess showing up as a medic is a major change from the novel so I am still anticipating each episode and excited to see how the battle scenes look on screen.
Hi @Birdie! I havent read the novel so it is good to hear a quicker/broader summary than from the novel readers online. Quite a fan club for the novel. I really like the drama — I am absolutely amazed at the way the director/team are balancing all these different tonal elements.
The villains, the Sui brothers, in our drama context seem very heavy, extreme personalities. Today in ep 24, NingNing, that sturdy child, just calls Sui YuanQing “that bad man” which simplifies or clarifies his role and shrugs off the dream-like world, the nightmare of the sack of Lin’An.
The Princess did seem today like a classic kdrama character — a bit impulsive, sure to be helpful. You are right, it does bode well that she has shown up. I do adore the character GongSun Yin, her love interest and the actor, Li Qing, has the best lines!
The novel provides a clearer picture of the horrific things SQM endured that caused/contributed to his insanity. YQQ is described as plain and doesn’t show as much personality unlike the drama version. Add in the fact that the actors are extremely good looking and have ch*m*st*y, it’s easy to see how many viewers have ignored all the blazing red flags and are shipping the “toxic couple”.
Li Q not only has great lines but he does well at physical comedy. His little trip down the stairs today made me LOL.
BOYFRIEND ON DEMAND : I watched all.
Only thing I disliked was episode 1 first half, because of forced comedy and annoying sound effects, but then we enter the subject and the App plot starts at end of Episode 1. Later the comedy will focus on situations, dialogs and actors. Lot of nice comedy scenes or good ideas about to exploit and develop the high-concept.
After few episodes, the drama avoids repetivity with an good montage.
Best episodes are 5 and 6 in my opinion.
Later the drama slows down, as it needs time for the romance and lot of good feeling will follow, scene of happy couple life, everything making people watching would like to have a happy couple life.
Thematic of virtual reality is a bit treated, possible addiction, or futility of virtual life. Yet, not in a deep dark way. Often, it’s rather used as a way for the characters to discover themselves and bounce back for a better real life.
PoJ – While the dark does get a little too dark, I have been really enjoying the story telling. As of ep. 24, the only moment that really disappointed me was their parting scene and because of that their reunion. It feels like the argument they had was trivialized by her reaction to him actually leaving and then her determination to find him again (without acknowledging her part in sending him away).
Did anyone make sense of that argument and her subsequent reaction?
I also really enjoyed watching Boyfriend on Demand. I almost could not take how cheesy it was, but I also felt like any less and it wouldn’t have been as effective in making the real romance in the end that much more worthwhile–like the difference between having candy and having a proper baked dessert.
Thanks for your thoughts @Sorbetdream! Spoken like a true dream dessert LOL! I look forward to having some time to try Boyfriend on Demand and to complete PoJ.
@sorbetdream
https://www.readthedrama.com/novels/chasing-jade-zhu-yu
This is the link to the novel. Chapters 52 and 53 include the farewell argument. Although the drama is different, this still may lend some insight
This is sort of a rant, interesting maybe only to those for whom Love in the clouds and Pursuit of Jade were good watches, but who may balk at the frothy fantasies of classic xianxia or the endless tragedies of classic wuxia.
The latest of these suddenly appearing fantasy cdramas on netflix, Veil of Shadows, is one of these Xianxia/wuxia combos at its worst, imo.
It does have lots of very good wuxia duels, a few magic animals, a balance of magic vs. god-powers.
BUT
–no supporting characters of varying ages beyond the central group of youngish souls,
thus no comedy or family sentiments or rank problems.
–soundtrack lacks obviously comic signals or evidence of the natural world (water, wind, doors creaking, dresses slithering, all non-salient.
–visually lacking rich detail and natural elements, snowy cgi wastelands and caves dont count in my book nor do some flowers and a few framing tree branches with leaves.
the man-made world of craft and artisanry practically non-existent — magic ‘stones/gems’ not my thing, costumes boring, architecture also cgi. No history no tactile details..
–framing lacks strong dark/light elements, no wow. Soundtrack not coordinated with shots.
— worst of all, instead of the goofy fairies of xianxia or the melancholy, fierce female comrades or healers of wuxia, the female characters are nine-tailed foxes who like in the more repulsive games/YA books embody the ‘feminine wiles’ without fear, sooooo boring.
The girls are magnificent wuxia fighters however, so one watches….sigh. “one more episode”…
One bow to the more recent cinematic cdrama vocabulary which meta-refers to theatrical artifice, is people-puppets made of wood.
Edward Guo, the writer-director is a famous YA author interested in ‘painted skin’ problems such as demons who want to be human, other ‘crossing the line problems’ of people/gods/and the nicer sort of demons.
— As far as magical animal ‘western’ vocabulary goes the demons, although they are animals have no whisker-twitching or funny grooming or eating compulsions nor do they suffer from any human ghost problems, no shame, no family attachments, no moms…
For comparison of a sort, the also currently running Taiwanese show, Agent From Above, which is very gritty, almost ugly, has demons whose interaction with humans and ghosts and justice and reincarnation problems are very intimate — ride on Third Prince!
The usual elements of debate in asian fantasy are
1. purity of eastern elements vs. “western elements”; since this is also influenced by gaming work, it may be a moot question in the popular mind.
2. gender roles and respectful treatment of characters; complicated also because of wacky role-play elements which make fantasy more of a forest of Jungian archetypes than other dramas.
For me, no nature, no politics, no art or craft, no family histories,
game over.
Annd..its April!
Maybe @pcml3 will be home soon and start a new WAWW thread.
Until then, what are we watching?
I am watching…
1. Some funny chinese folktale shorts on viki — why its called YAO I dont know.
2. Starting to feel anime coming on –looking ahead to Dandelion.
3. Enjoying Rebirth, a cdrama sequel to Princess agents which is nothing like that show at all, as far as I can see. The actual author of Princess Agents did this script and its is a lot of young things fighting very well and riding horses a lot. I can tell the characters apart easily which is not always the case in these young cdramas.
4. Watching or rewatching earlier shows directed by Zeng Qing Jie, all good in their way: Destined to Meet You, Fall in Love (22), and A Familiar Stranger (22). Blossom and Butterflied Lover I had seen recently. Slowly working my way through a rewatch of POJ
5. I also have a current spy show attraction — like a moth circling around the light. Some not so suitable for this group (Humint!) but there is an animated Spy x Family which looks cute, and I have never gotten around to Mission Cross, so thats the plan.
And of course, for the Rewatch Party,
IMAGINARY CAT.
Bok-Gil says “oh my can of shrimps” and I just bust out in happy giggles. She looks like a ginger Scottish Fold, I think, although normally gingers are male, arent they?
Hi @IB
I watched the first episode of cdrama ‘Rebirth’ mostly because my husband had been waiting for the sequel to Princess Agents for years. I never watched ‘PA’ but jumped into 1 episode of ‘R’ to see if I could make head or tail of it.
I felt that it was full of ‘showiness/pizazz’ with battles and dramatic deaths, however it did slot in ‘flashbacks’ and backstory. For someone like myself who’s watching this cold, without knowing any background, it looks like what appears true is false and that there’s gaslighting going on.
I should also watch the remaining episodes of ‘Imaginary Cat’. 🙂
Have any of you been watching The Village Barber with Park Bo Gum and his friends? I’ve enjoyed all the episodes. It’s heartwarming, has humor, and gives a glimpse into village life. The village is made up of mostly peach farmers and this is their off season so they’re available even on weekdays. The halmonis, village chief, and children are like characters out of a drama. One particular client was getting his haircut before seeing his girlfriend. He tried (and failed) to keep his relationship status a secret and it couldn’t have been scripted any better. Lee Sang Yi has been a stand out for me and I hope his popularity rises even more after this.
@Ibisfeather, I’m moving this to the new WAWW thread.
Thanks.
pm3
@birdie007, I’m moving this to the new WAWW thread, too. — pm3