In case you missed them, the butterflies were everywhere in Episode 1 and Episode 4.
In Episode 1, we first saw the butterfly as a jade pendant hanging from the book Mangunrok.

Next, the butterfly became an insignia of sort on King YiHeon’s headband while he was hunting.

Then, we saw real butterflies flitting in the forest and landing on the net of JiYeong.

After that, we were transported to the chambers of the Dowager Queen where she and the other royal females were informed of the king’s absence in the ritual. We could see butterfly ornaments in the wigs of the ladies.
The Dowager Queen had two small gold butterfly accessories on each side of her wig.

The king’s stepmother, and the two other concubines had monstrous butterfly ornaments pinned smack dab in the middle of their wigs.


Last, in the flashback while JiYeong was feeding the king outside the hut, we saw in his memory of his mother that she too wore a butterfly pin on her wig.

In Episode 4, the butterflies show up again.
When the Dowager Queen and her three female sidekicks attend the cooking competition, they all wear the butterfly hair ornaments.
(just look at the scene for yourself, lol)
It’s notable that the evil concubine, MokJu, possesses no such butterfly trinket, or at least she hasn’t worn it yet.
So, what does this butterfly mean to us, if it means anything at all?
I can think of two significances.
One, the butterfly indicates JiYeong’s previous timeslip.
It tells me that, in a previous timeloop(s) – or back when JiYeong first became intimate with the king that he’d written the Mangunrok for her – she had been considered the king’s “favored” person so much so that he attached a butterfly pendant to his manuscript.
The butterfly ornament seems reserved only for the chosen ones. The fact that the king left the jade pendant in the book implies that he regarded her as someone precious to him, and entitled to possess the mark of kingly favor.
An aside —
I think this explains why she addressed the Dowager Queen, “halmeoni” or grandmother. To many, her blunder may simply be an honest mistake as she isn’t accustomed to Joseon period’s royal protocols. But to me, this may be a Freudian slip. She has a memory of an informal relationship with the Dowager Queen buried in her subconscious mind.
Morever, this explains the king’s sudden headache after the cooking competition and when he visits MokJu. He thinks that he’s seeing double, or that he’s in altered state. To me, these incidents are probably some sort of déjà vu. He’s feeling disoriented because he has lived through the same experience in a previous timeslip. Anyway, that’s just my theory. If it works, it’s well and good. But if it doesn’t, oh well….
Two, the butterfly also reminds us of the butterfly effect.
JiYeong’s time-travel may appear to be a one-off, but the existence of the Mangunrok, and its disappearance in Episode 4 when the king YiHeon created a new one for her, indicate that she has time-traveled – or looped back in time – at least, twice.
Each time she traveled back to Joseon, she’s determined not to change history one bit. However, it can’t be helped that even the slightest – and seemingly harmless – change caused by her time travel to the initial/original/historical setting will produce a dramatically different outcome in the end.
This is how the “butterfly effect” trope is typically depicted in these kdramas. Her time-travel causes a domino effect that gradually, incrementally, but inevitably changes history, whether she likes it or not.
As it is, I think she’s the reason why Yeonhuigun is known to be a gourmet tyrant. In a previous time-travel, she might have unwittingly altered the image of King YiHeon as an absolute terror and given him this extra humanizing dimension of a foodie.
Lol. I wouldn’t be surprised if after this time-travel, she not only recreates Yeonhuigun into a gourmet genius, but also tones down his tyrant image, and turns him into a misunderstood, justice-seeking ruler.
Moving on to my Ep 4 write-up.
@pcmlThank you. Re the butterfly effect. So in kdrama world our king gains some good attributes due to her presence, thus his changed name in JY’s future present.
I would suspect that is the limit of the change? He still dies and lives in history reviled for his mythical evilness.
How is the closed loop undone without too much damage?
Does she travel back for the first time without the book, he writes the book but their love doesnt find enough closure/karmic clearance for a proper reincarnation in the future (or something), so the book magically finds her (just once) and brings her back for a redo.
A nice ending would be, he still dies but is reborn. Butterfly souls, two of them, fluttering around the net she is trapped in.
What happens to the book, does it disappear or does it go up in flames when he walks in some french doors with it in hand and its job is done?
@IF 🤣
@IF Perhaps Those are the french doors in the asian history department of the sorbonne.😄
Yes, @ibisfeather.
That’s what I mean about the butterfly effect.
I already said that the story begins in media res, and that there’s a deliberate conflation between the historical Yeonsangun and the kdrama Yeonhuigun. (That’s why I spent considerable amount of time explaining and untangling the difference between the two in my “First Impressions.”) This is all to allow us, the viewers, to see that this story is no longer about Yeonsangun’s life but a SPIN-OFF.
The renaming of the king is a step towards that direction.
The added dimension in the king’s character being a gourmand is another step.
Next, the growing discord between his majesty and his erstwhile most favored concubine is another step towards the right direction. (In the history books, Mokju, is blamed for his excesses because she encourages and abets them. In direct contrast to Mokju, JY appeals to his good conscience and is a good influence on him. So far, she’s saved the women, the Hong daughter and grandfather, and the cooks.)
Then, let’s not forget that moment of détente between grandson and Dowager Queen after the cooking competition is another small but significant step. It must have surprised the Dowager Queen when he listened to her entreaty and yielded to her.
I’m sure in future episodes more changes will occur. As a spinoff, the story’s only limitation is the writer’s creative imagination.
Thus, I can’t speculate on how the screenwriter chooses to end this loop. Frankly, that’s a waste of my time and (dwindling) brain cells. Let’s just wait and see how it all plays out. 🙂
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On the butterfly watch, in Ep8, the beef-bourguignon-tasting-effects amongst the grapevines featured lots of little cabbage butterflies which both the King and the Envoy appeared to be giddily catching?
Now the two countries are having some soulful conversation?